New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. It defines over 500 critical terms and describes how they have been used, building a film semiotics dictionary. The authors address key aspects of contemporary semiotic and cultural debate - Genette's narratology, the feminism of Mary Ann Doane, Bakhtinian concepts and the work of Jean Bau...(展开全部)

让•米特里（Jean Mitry，1907—1988），著名电影理论家、评论家、电影史学家，电影导演实践者，电影学教授。 他是法国最受尊敬的、思想深邃的电影理论家和电影史学家之一。他撰写了大量关于电影的文章和专著，两卷本的《电影美学与心理学》（1963，1965），被电 影理论界誉为电影理论史上最重要的学术著作之一，被电影符号学家克里斯蒂安•麦茨尊称为“电影的黑格尔”。而他1987年最后著述的《电影符号学质疑：语言与电影》（1987），则是他对电影符号学的科学分析与批评的经典杰作。

A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinema: langue ou langage?'"--Geoffrey Nowell-Smith, "Times Literary Supplement" "Modern film theory begins with Metz."--Constance Penley, coeditor of...(展开全部)

Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.

Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.

This book is designed for anyone with a serious interest in the art of film. It is both a history of film theory and an introduction to the work of the most important and influential writers on the subject - Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz. Andrew sets out these major theorists one against the other forcing them to speak to common issu...(展开全部)

The acclaimed director of Mishima, American Gigolo, Hard Core, Blue Collar, Cat People also the screenwriter for Taxi Driver , Paul Schrader here analyzes the film style of three great directors—Yasajiro Ozu, Robert Bresson, Carl Dreyer—and posits a common dramatic language by these artists from divergent cultures. Unlike the style of psychological realism, which dominates f...(展开全部)

The acclaimed director of Mishima, American Gigolo, Hard Core, Blue Collar, Cat People also the screenwriter for Taxi Driver , Paul Schrader here analyzes the film style of three great directors—Yasajiro Ozu, Robert Bresson, Carl Dreyer—and posits a common dramatic language by these artists from divergent cultures. Unlike the style of psychological realism, which dominates f...(展开全部)

This book is designed for anyone with a serious interest in the art of film. It is both a history of film theory and an introduction to the work of the most important and influential writers on the subject - Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz. Andrew sets out these major theorists one against the other forcing them to speak to common issu...(展开全部)